* Institute of Scientific Information for Social Sciences of the Russian Academy of Sciences, ** Moscow State Linguistic University, Russia, Moscow, komalova@inion.ru
The paper explores the issue of perception and reflection of cinematic discourse, which represents conflict interaction between husband and wife or romantic partners. The findings support the hypothesis that male and female subjects have a similar perception of episodes representing conflict situations and isolated from the entire movie, no matter whether it is a tragedy or a comedy. At the same time, some features of the perceptual image of a family conflict / conflict between romantic partners deserve special attention and long-term surveys.
cinematic discourse; tragedy; comedy; movie; gender; conflict; family; romantic relationship
Download textFor citing: Komalova L.R., Kopylova E.A. (2021). Perceptual image of conflict situation in tragedy and comedy cinematic discourse. Human being: Image and essence. Humanitarian aspects. Moscow: INION RAN. Vol. 4(48), pp. 64-89. DOI: 10.31249/chel/2021.04.05